Show

Teresa Vittucci

Trilogy In Praise of Vulnerability: SANE SATAN

Teresa Vittucci is presenting her trilogy In Praise of Vulnerability for the last time. All three pieces in the trilogy will be performed at Tanzhaus Zurich in the same week. This is a unique opportunity to experience Vittucci's work as a concentrated package (once again).

Satan is taboo. The fallen angel is the symbol of evil par excellence. The supposedly ominous figure is still used today to enforce moral concepts. What is framed as evil and what is framed as good, however, cannot be determined so clearly. It is worth taking a closer look at evil and at those who define it as such.

In SANE SATAN, the third and final part of the In Praise of Vulnerability trilogy, Vittucci uses humour to examine the stories and images that warn us so vehemently about the devil. Like Maria in HATE ME, TENDER, who debunks the myth of the "hymen" as a warrior of vulnerability, and Eva in DOOM, who is able to free herself from an imposed value system thanks to curiosity, Teresa and her team in SANE SATAN search for a new, queer-feminist reading of this dazzling figure in our cultural history. Seductive, monstrous, and trapped in the prevailing structures: Satan has the potential to be an accomplice for all those who are devalued, excluded, and oppressed because of their otherness. This defiant power of the figure of Satan, who comes to light in their role as outsider, critic and, last but not least, as a gender ambiguous figure, paves the way for new perspectives on common moral concepts.

In addition to SANE SATAN we are showing HATE ME, TENDER and DOOM.

Conception, direction, text Teresa Vittucci
Performance Alina Arshi and Teresa Vittucci
Dramaturgy, text, video, photo Benjamin Egger
Dramaturgical support Tanzhaus Zürich Lea Moro
Stage and light design Anna Wohlgemuth
Light design, technical direction Anahí Pérez
Choreographic and material assistance Emma Bertuchoz and Emmeliin Chemouny
Inventor Gabriel Schneider
Musik Gil Schneider
Tailor David Lammstrand
Photos Paulina Pawłowska, Mayra Wallraff

Partially developed with and special thanks to Henry Browne and Deborah Macauley

Production management Diana Paiva / high expectations
Administration Karin Erdmann
A production by OH DEAR! Zürich

Co-produced by Internationales Sommerfestival Kampnagel, Arsenic Lausanne, Tanzhaus Zürich, Charleroi danse DCCN, La Briqueterie CDCN, Théâtre Saint-Gervais Genève, Dampfzentrale Bern
Co-production in residency O Espaço do Tempo, La Briqueterie - CDCN du Val-de-Marne (supported by the French ministry of Culture / DRAC IDF)
Kindly supported by RESO Dance Network Switzerland, Stadt Zürich Kultur, Fachstelle Kultur Kanton Zürich, Pro Helvetia, Stiftung Anne-Marie Schindler, Landis & Gyr Stiftung, Prix Tremplin Leenaards / La Manufacture
With the support of the Société Suisse des Auteurs (SSA)
Special thanks to Belluard Bollwerk Festival Fribourg and Studio CUTE

Teresa Vittucci

Teresa Vittucci is a Vienna born artist who is based in Zurich since 2015. Her practice is rooted in the field contemporary dance performance and investigates feminist and queer perspectives on pop culture, history, and religion. Subversive jokes are always part of the process, humour being an essential aspect of her work. Besides her extensive solo work, she also collaborates with other artists including Colin Self, Marilú Mapengo Namoda, Annina Machaz, Simone Aughterlony, Nils A. Lange, Michael Turinsky and Claire V. Sobottke, Melanie Jame Wolf and Theater HORA.

Teresa was awarded the recognition prize by the City of Zurich for her work as an outstanding performer 2018 and the Swiss Dance Prize for the first part of her trilogy HATE ME, TENDER in 2019. In 2022 she created RIDE on invitation by Centre Pompidou and Leopoldine Turbat as a response to the important feminist work of avantgarde artist and filmmaker Ulrike Ottinger. SACRE! - a collaboration with Annina Machaz and Theater HORA - premiered the same year. In fall of 2023 Teresa was invited by Deutsches Theater Berlin to revisit her solo, the result HATE ME, TENDER_revisited is part of the repertoire and regularly performed in Berlin. In March 2024 Teresa will premiere the third work of her trilogy at Tanzhaus Zürich.

Dates / Booking
Sunday, 12.04.2026
Clock 18:00 — 19:00
  • Solidarity: CHF 35
  • Regular: CHF 25
  • Budget: CHF 15

Bühne 1
Tanzhaus Zürich
Wasserwerkstrasse 127a
8037 Zürich

  • Duration: 1h
  • Spoken Language: English
  • Wheelchair accessible

Content Notes

  • High Volume
  • Nudity
  • Flashing Lights